We laugh at those now however Hollywood FX had to start somewhere. Some people believe that there is an over dependence on unique effects, to the detriment of story and characterization.
Matte painted backgrounds and miniature models served films well for a long period of time, enabling futuristic motion pictures such as Fritz Lang's Metropolis. A combination of miniatures and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the fantastic look real, in movies that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. War motion pictures that required sea fight video footage used miniature models in huge water tanks. This, and a method referred to as traveling matte, created the splitting of the Red Sea scene in The Ten Commandments. No wonder was beyond the power of special effects gurus.
Additional advancement came when effects supervisor Douglas Trumball created new methods for the last voyage in Kubrick's 2001: A Space Odyssey. The hallucinogenic images raised the bar for others to follow. Director George Lucas rose to the obstacle and surprised audiences with Star Wars in 1977. His group invented a new computer system controlled camera that enhanced repeated video camera movement and widescreen shots. Lucas then formed Industrial Light and Magic, the business that has actually pioneered Hollywood FX since.
Today, we are utilized to the idea of films being shot with a blue screen and the background being added later on. The effects team at Pixar has presented it to their full length animations, such as Toy Story. The Weta workshop in New Zealand has built a track record as one of the finest special effects companies, particularly given that the success of the Lord of the Rings trilogy.
effects will continue to advance now that the genie of innovation is out of the bottle. Hollywood FX has actually made the return of the epic film possible.
We laugh at those now however Hollywood FX had to start somewhere. A mix of minis and stop motion animation made King Kong from 1933, a landmark in Hollywood FX. Ray Harryhausen was the effects wizard who made the fantastic look real, in films that consisted of Jason and the Argonauts and The Golden Voyage of Sinbad. Lucas then formed Industrial Light and Magic, the company that has originated Hollywood FX ever considering that.
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